It told the tale of Billy Shears and the titular band, using Beatles songs to tell the story. According to both Lennon and McCartney , the two were actually together when the episode aired and did briefly albeit jokingly talk about taking Michaels up on the offer. The film is mostly a fictionalized recollection of their glory days and aims to look inside the minds of the two most famous Beatles. One notable aspect of the film is its director, Mark Stanfield, who also directed the documentary Let It Be, a film which infamously chronicles the beginning of the end for the band. The hardest film to find on this list, All This and World War II is actually a documentary that aims to juxtapose the horrors of the catastrophic war to the peaceful tunes of The Beatles. It was a controversial subject for a country that was still reeling from the aftermath of The Vietnam War. Although the film has never been released officially since its fateful run in theaters, bootleg copies have been readily available since then, and they show a bizarre mashup of the '60s culture with the atrocities of war in an attempt at cinematic irony. Nowhere Boy is one of the few films which aims to tell the story of life before The Beatles, and it does so through the eyes of a young John Lennon, played by Aaron Taylor-Johnson. In all of The Beatles-inspired movies, it is one of only a handful of movies that have tried to portray the story of the band itself, and Taylor-Johnson plays a believable Lennon with an uncanny resemblance. In the craze of jukebox musicals over the past 15 years, Across the Universe came and went with far less fanfare than one might have thought in a world with two Mamma Mia films.
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No pun intended, but imagine a world in which no one has ever heard of the Beatles or any of their songs. In Yesterday , Jack, a struggling guitarist and singer-songwriter played by Himesh Patel, is struck by a bus during a freak, momentary global blackout. Along the way, Jack meets and performs with Ed Sheeran, who plays himself in the film engaging in some commendable self-mockery. No matter what becomes of you, love is the most important thing in the end. The idea for the film originated with writer Jack Barth, but when Curtis heard about it, he threw his hat in the ring to do a version. So as I cruise toward the end of my career, I wanted to do something directly related to them.
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And what if you used this knowledge to recreate these songs for a world that had never heard of this uniquely famous and ubiquitous rock group, propelling yourself to superstardom in the process? But it would take a lengthy and careful courtship — and yes, a little hand-holding — for them to obtain these crucial permissions and complete their cinematic tribute to a cherished band. There was no plan B without the Beatles, either; though there were other pop and rock acts with catalogs full of hits — the Rolling Stones, Prince, Elton John — none had made music that felt as all-encompassing and none were contemplated as alternatives. Oakes said that when the company is deciding whether to license a song for use in a movie, a video game or an advertising campaign, several criteria are considered: Who is behind the project? How prestigious is it? How big is it and how widely will it be seen? Though these factors can seem subjective, Oakes said that each project must ultimately feel respectful of the Beatles. Individual Beatles songs have been heard and performed in various movies over the years. But very few films in which the band was not directly involved have used whole swaths of its catalog, and those movies are not remembered all that fondly. Curtis is a lifelong Beatles fan who, at the age of 8, once waited outside a Swedish hotel just to watch the mop-topped bandmates step onto their balcony.
This movie is about a group of college coeds who pine for The Beatles to perform at a sorority fundraiser. The movie bombed when it came out. However, the writer and director would go on to do greater things.
